Jackie Brown (1998) Review. 7.2

(As seen on Dent. magazine)

There’s no messing around with Jackie Brown, even if you are Samuel L. Jackson.  

Quentin Tarantino’s third film, Jackie Brown, had a lot to live up to thanks to previous master pieces Reservoir Dogs (1992) and Pulp Fiction (1994). Tarantino’s previous productions often saw scenes of hyper-violence as well as mesmerising characters and dialogue, that all-in-all were gripping to watch. However, could an altercation between and arms dealer and an air hostess prove to be a hat-trick in golden filmmaking for Tarantino?

The tense narrative follows single, middle-aged, air hostess Jackie Brown (Pam Grier) and her struggle for a decent life which seems to have been and gone. The story spirals into play when Jackie is caught smuggling money for Ordell (Samuel L. Jackson), a notorious arms dealer. As Jackie’s situation becomes gradually worse, seduction, deceit and action all come into play.

Pam Grier’s performance as Jackie Brown is not only outstanding, but also is one that has true depth.  She generates a range of different characteristics, being dominate yet delicate, allowing a phenomenal all-rounded character to be shaped. Joining Grier are some of film’s most respectable stars with the likes of Robert De Nero, Michael Keaton and the previously mentioned Samuel L. Jackson, who ensure that the film has strong performances throughout. The only visual downfall has to be Samuel L. Jackson’s questionable haircut.

What is noticeable is the use of storytelling through character. In the penultimate scenes audiences are allowed to see each character’s unique involvement to the storyline, teasing the audience with information piece by piece. This clever use of directing helps the film hold a unique feeling, striving away from typical narrative conventions. However, Jackie Brown may be questioned as not having the same pace and drama as previous Tarantino films but this doesn't mean that there is little to enjoy. By implementing an intelligent plot with twists and turns, Tarantino keeps the audience guessing, an inclination into how much thought has been injected into the narrative.

As a whole, the spectacle won’t be found in the same league as Reservoir Dogs, Pulp Fiction or Tarantino’s later work Kill Bill yet, it still manages to be entertaining. The key elements of crime, violence and manipulation all make an intriguing show which is cushioned with stellar performances all round. Jackie Brown certainly deserves time to appreciate, even if it isn’t deemed a ‘classic’ within the filmic world.